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No. hp_essay
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Deai
Enhances and Compliments Curriculum, Materials, Style, and
Student Interest |
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Date: |
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Author: |
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2001/10 |
US |
Peggy Hagmann Thill
The School District of Fall Creek Fall Creek, Wisconsin |
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You
don't have to change your established curriculum
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As the world begins
a new year, we reflect on the past year, and anticipate this
new one. Some of us seek change and growth, others are apprehensive
and feel that change is not needed, or perhaps too much to
handle. Perhaps a comfortable solution is to seek enhancement
of our lives. Teachers face this quandary with the start of
each school year, semester, curriculum revision, unit of study,
or lesson plan. Do we change to improve? Perhaps we have great
lessons that work well. Why change them? But perhaps we have
lessons that need something more, or something different?
Maybe we need a "glue" to tie all of our great techniques,
methods, and creations together. Maybe it's your dream to
introduce your students to real Japanese young people! But
budgets are tight, and time is tighter.
The new materials that The Japan Forum has developed, introduced
and distributed is your solution to "big change", "enhancement",
or the "glue" that brings it all together. The Deai Kit can
work into every lesson and activity that you already have,
or that you will develop. It can be worked in on large or
small scale. You make the decisions, you create and discover
how it fits, and your students meet seven Japanese young people
while they acquire the language skills of listening, speaking,
reading, and writing, and at the same time touch the culture
through their new Japanese friends. The seven young people
on the panels and on the CDs, come alive, and become a "sometimes
surprise" of your students' language experience, or an "everyday,
familiar, comfort."
During the 2000/2001 school year I piloted a pre-production
version of just one of the seven students panels. I didn't
have the final vocabulary lists, the icons, or the CDs. But
with just the large size paper photos adhered to card stock
and laminated, the student, Yu Mizushima enhanced my lessons,
glued them together, and I even ventured with some change!
That change proved delightful rather than overwhelming or
painful.
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How
I used Deai in my class
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In Japanese level
I, Yu was introduced on the first day with a single photo
and her name. That's what my students were doing that day
as they all received their Japanese names. Already they were
curious to know more about this Japanese girl in the photo
other than just her name. As they learned common greetings
and expressions I found that Yu was "saying" those same things
in the photo panels. As they learned verbs, we found that
Yu was "doing" those same actions. As we learned pastimes,
we saw what Yu's pastimes were. As we learned family members
we practiced who Yu's family members were. When my students
learned their Japanese names in kanji, they learned Mizushima
Yu kanji and meaning at the same time. I referenced the vocabulary
list as my students learned hiragana. They learned words from
Yu's life that we could point to in the photo panels. Some
words only contained the first lines of the alphabet, but
as they progressed, they learned longer and more detailed
words. They were excited to do the same as they learned the
katakana alphabet.
Here was a wealth of vocabulary, large, in context and
portrayed real life! I didn't have to go searching through
magazines, or gathering items from home. By the end of
the first month of school, I picked up my curriculum outline
and wrote the single word "Yu" on every page. When I did
lesson planning I was reminded that I can use "her" to
add to activities and methods that I was already using.
It even permitted me to "trash" some of the things that
I had been doing out of habit, that weren't very effective.
I didn't spend excess time to bring her into my lessons,
I didn't spend money, and I didn't get rid of all the
great things and materials that I have developed that
work well. There was no manual to follow on how to use
"her", but that was the magic of it. I could be the creator
of ideas, and she was there to help me facilitate those
ideas in a realistic way that attracts the attention of
my students.
By the end of the year, they still did not have the actual
story and life of Yu Mizushima. So during the last week
of classes when we were reviewing all that we had learned,
I introduced (in English) the story and life of Yu in
detail, from the materials provided. Each day they learned
more about her. By the time they took their final exams,
they were ready to write a one page imaginary letter to
Yu, telling her that they enjoyed meeting her and what
they think of her life. This was done in English. In Japanese
they wrote a bit about themselves using the basic language
they had acquired. I told them "Yu will be back next year,
along with a friend or two". They clapped! At the start
of Japanese II these students will be waiting to see "Yu"
again, since they hadn't seen her all summer! What a great
way to review.
During the same year, I introduced Yu to my Japanese
II classes. At the start of the year we were working with
how to ask questions. They formed questions in Japanese,
trying to find out about this "mystery girl". I had put
about a dozen of the panels on the classroom wall. In
another activity, they were in groups, and each group
had to write as much as they could about who this girl
was, her interests, her family, etc. They could invent
the story, since they didn't know all the real information
yet. It was wonderful for me and the classes to hear each
version of who this Japanese girl is! We used the panels
for particle "no" and countless other grammatical points.
For a cultural activity I put all the panels of Yu around
the room. Each student had some blank note cards in hand,
and as they silently walked around the room, they wrote
a question about anything they wondered about on each
card. I collected all of them, and whenever we had time
throughout the year, I would take out the question cards
and answer them, or encourage the students to answer
if they could. This activity was done in English. Once when
I had a guest speaker from Japan, the students were asking
some questions, but were timid. The second day, I got
the question cards out, and my guest answered the questions
about Yu that pertained to Japanese culture and lifestyle.
Some examples of the questions the students wrote were:
What city is she in? Is her family traditional or modern?
Do you know her personally? Do Japanese students steal
other people's shoes in school? Do they always have uniforms?
Is their math as hard as ours? Is it cool to learn English
there?, etc. The panels truly encouraged them to wonder
and question.
Yu has been introduced to many other audiences outside of my
language classrooms as well. When my students went to explain
to the 8th graders what Japanese class is like, they "took Yu
along". When I talked to a youth church group about young people
in Japan, "Yu helped me". During our school open house night for
parents, Yu was displayed all around my room. Visitors asked so
many questions, because "she was there", showing her life to them.
When I was absent from school and a substitute teacher came to
my class, my students used the panels to teach the substitute
about Japanese and Japan! They became the knowledgeable senseis.
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Yu
became the "glue" for my curriculum
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After ten years of
teaching Japanese, Deai became the way for me to tie together
all my bits and pieces. Yu Mizushima became the "glue" for
my curriculum, the "glue" for culture pieces, and how to look
at culture, the "glue" for vocabulary and grammar, and the
"glue" or context for understanding any individual and oneself,
or how to look at someone. It was something "extra" that I
added, but it tied into everything. The students were held
accountable for everything that involved these panels, and
by the end of the year they took pride in how much they knew
about this real person and her life. Little did they know
that I had only scratched the surface with them. There is
so much more to discover with the other six students' panels.
The final and complete Deai kit arrived at my house in America
on Christmas Eve afternoon. I unwrapped it with excitement.
Yu and her friends "jumped out of the box" in full color,
ready to go to school with me, to meet my students, and to
spread Japanese language and culture to a group of students
in a small rural school in Fall Creek, Wisconsin. It is my
dream to meet those seven Japanese students someday, and to
tell them how they have enhanced my teaching, and the lives
of great American kids who love to learn about them. But until
then, I am grateful that I have met and know the staff of
The Japan Forum. It is their commitment, knowledge, skills,
and experience that has made this enormous project a contribution,
a gift from their hearts, that will take seven Japanese students
on countless journeys and "ENCOUNTERS", meeting young people
from all over the world. These materials are awesome, with
a quality that is second to none. They adapt to every level,
to every classroom, to every style, to every curriculum. This
is what we have been asking for. This is a language teachers
dream. Use these materials and let them enhance the great
job that you're already doing with teaching young people peace
through understanding.
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